“There are those who look at things the way they are, and ask why... I dream of things that never were, and ask why not?”

—Robert Kennedy


Our Store features many innovation tools.

Our Video Programs teach the proven techniques of intentional innovation.

Our Workshop Trainings help organizations weave innovation into their everyday activities and consistently inspire the best from everyone on their team.

Our Strategy Sessions are immersive, entertaining, no-holds-barred experiences that deliver surprising new solutions.

We Speak at Events conferences, trade shows, and other keynote gatherings.

We’re located in Bend, Oregon’s historic Old Mill District. Contact Info...

Follow us on Twitter

About: “Free Radicals of Innovation DVD”

“The video series makes you look at your own business practices and reassess how you could introduce some of the creative tools to break out and be true creative innovators.”
—Stan Chudzik, Senior Industrial designer
Goody Products, Inc. -- A Newell Rubbermaid Company, Atlanta, GA

Music

Getz/Gilberto
from Polygram Records

Getz/Gilberto

Originally released in March 1964, this collaboration between saxophonist Stan Getz and guitarist Jo?o Gilberto came at seemingly the end of the bossa nova craze Getz himself had sparked in 1962 with Jazz Samba, his release with American guitarist Charlie Byrd. Jazz Samba remains the only jazz album to reach number one in the pop charts. In fact, the story goes that Getz had to push for the release of Getz/Gilberto since the company did not want to compete with its own hit; it was a good thing he did. Getz/Gilberto, which featured composer Antonio Carlos Jobim on piano, not only yielded the hit “Girl from Ipanema“ (sung by Astrud Gilberto, the guitarist's wife, who had no professional experience) but also “Corcovado“ (“Quiet Night“)--an instant standard, and the definitive version of “Desafinado.“ Getz/Gilberto spent 96 weeks in the charts and won four Grammys. It remains one of those rare cases in popular music where commercial success matches artistic merit. Bossa nova's “cool“ aesthetic--with its understated rhythms, rich harmonies, and slightly detached delivery--had been influenced, in part, by cool jazz. Gilberto in particular was a Stan Getz fan. Getz, with his lyricism, the bittersweet longing in his sound, and his restrained but strong swing, was the perfect fit. His lines, at once decisive and evanescent, focus the rest of the group's performance without overpowering. A classic. --Fernando Gonzalez

Buy Now Affiliated Store from Powell’s
Buy Now Affiliated Store from Amazon.com