“Always remember that someone, somewhere is making a product that will make your product obsolete.”

—Georges Doriot


Our Store features many innovation tools.

Our Video Programs teach the proven techniques of intentional innovation.

Our Workshop Trainings help organizations weave innovation into their everyday activities and consistently inspire the best from everyone on their team.

Our Strategy Sessions are immersive, entertaining, no-holds-barred experiences that deliver surprising new solutions.

We Speak at Events conferences, trade shows, and other keynote gatherings.

We’re located in Bend, Oregon’s historic Old Mill District. Contact Info...

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About: “Innovation Strategy Session”

“Working with Bob Newhart & the Innovation Center helped our group move away from what had become a traditional moment in time Retreat to a Strategy Session which invigorated all participants.”
—Michael J. Gonsalves, CEO
The Center, Bend

Music

Birth of the Cool
from Blue Note Records

Birth of the Cool

The first important leader date from one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the “cool“ arranging style of Gil Evans, an arranger for Claude Thornhill's band. Evans, who was employing unique voicings by adding French horns and tuba to Thornhill's instrumentations, also emphasized a diminished use of vibrato in both reeds and brass, producing a drier, “cool“ sound. Two of Evans's arrangements, “Boplicity“ and “Moon Dreams,“ appear on the album. Also involved are baritone saxophonist Gerry Mulligan, who contributed such outstanding tunes as “Jeru“ and “Venus de Milo,“ and Modern Jazz Quartet pianist John Lewis. The result is a date that has withstood the tests of time, fashion, and Davis's own extraordinary growth as a performer.

An enhanced set, The Complete Birth of the Cool features previously bootlegged live recordings of the nonet at the Royal Roost in New York in 1948. Although the sound quality is far from perfect, the performances are remarkable, and worth the additional expense for the serious fan. --Fred Goodman

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