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Pianist Brad Mehldau's so-so excursion into atmospheric pop production, Largo, may be proving to be a worthwhile experiment after all. Having gotten that out of his system, at least for the moment, he sounds looser in the pocket than he has in a long time in returning to the ruminative piano trio format with which he m…
On this lengthy two-CD set (over two hours), pianist Brad Mehldau, bassist Larry Grenadier, and drummer Jorge Rossy further explore the art of the jazz trio before a live audience. Mehldau, of course, is the main voice, exhibiting a lyrical touch and a wide, encyclopedic knowledge of the jazz piano. Although Bill Evans…
This live set, recorded at New York's Village Vanguard in the summer of 1997, presents pianist Brad Mehldau with bassist Larry Grenadier and drummer Jorge Rossy, the same personnel as on The Art of the Trio, Volume One. This is hardcore jazz, with tunes by Cole Porter, Thelonious Monk, Jerome Kern, Henry Mancini and Jo…
Prodigious technique, an emphasis on harmonic impressionism and delicately strung arpeggios, a preference for the high-wire austerity of piano, bass, and drums: if jazz pianist Brad Mehldau sounds like he's grooming himself as the next Bill Evans, his second album only heightens the comparisons, right down to its deadl…
Benjamin Zander has been making his reputation by examining the correct tempos for familiar works, as in his pioneering recording of Stravinsky's Le Sacre du Printemps. Here, on a bonus disc, which is longer than the performances, he offers the most illuminating commentary on music since Leonard Bernstein. Whether you …
Day is Done boasts a smartly selected range of original and borrowed material, from Tin Pan Alley jazz standard "No Moon At All," made famous by Nat King Cole, to "Knives Out" from Radiohead's Amnesiac. Day is Done also includes two of Mehldau's own pieces, "Artis" and "Turtle Town,&q…
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